3 (1970) je nejslavnější obrazem autora Taro Yamamoto. 4 (1970) a 1 (1970) jsou dalšími dvěma díly, která svět zná nejlépe. Z 9 děl umělce Taro Yamamoto v našem katalogu uvádíme 9 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026.
In the evocative masterpiece Memorial Byobu for Kumamoto, the viewer is invited into a deeply personal sanctuary where the boundaries between the material world and the realm of memory blur. This striking work presents a domestic tableau that feels both intimate and monumental, centered around the poignant juxtaposition of a pristine white wedding dress and a traditional Japanese kimono. The composition breathes with a quiet, contemplative energy, as if capturing…
Taro Yamamoto was a prominent figure in the New York School Abstract Expressionist movement, and his artwork Untitled is a testament to his innovative style. Created in 1961, this painting showcases Yamamoto's ability to balance color and composition, resulting in a visually striking piece. The Artist's Background Born on October 29, 1919, in Hollywood, California, Taro Yamamoto spent his early years in Japan before returning to the United States. He…
Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.
Muzeum, které má v této kolekci nejvíce obrazů.
| Muzea | Město | Díla autora Taro Yamamoto | Obrazy z tohoto seznamu |
|---|---|---|---|
 Meiji Jingu Forest Festival of Art |
Tokyo | 4 | Memorial Byobu for Kumamoto, Hagoromo Balloons, MARIO and LUIGI Rimpa Screen |
Pět desetiletí, od 1961 do 1970, zahrnuje všechny datované díla umělce Taro Yamamoto: zde jsou, rok po roce.
3 (1970). Následují 4 (1970) a 1 (1970).
51 let: dílo 3 pochází z roku 1970 a Taro Yamamoto se narodil/a v roce 1919.
Náš katalog obsahuje 9 děl autora Taro Yamamoto z let 1961 až 1970.
Většina z nich se nachází v Meiji Jingu Forest Festival of Art (Tokyo). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1970: 4 z 9 děl na této stránce pochází z tohoto období, z nich 3.
Nejstarší dílo na této stránce pochází z Untitled (1961), nejnovější z 3 (1970).
Abstract expressionism, jak dokazují obrazy na této stránce.
Memorial Byobu for Kumamoto, Hagoromo Balloons a MARIO and LUIGI Rimpa Screen patří mezi 4 děl na této stránce, která má v zastarání Meiji Jingu Forest Festival of Art, Tokyo.
Taro Yamamoto (born October 29, 1919, in Hollywood, California – died 1994) was a significant figure within the New York School of Abstract Expressionist artists. His early life was marked by a unique cultural experience; he lived in Japan from the age of six to nineteen, an upbringing that would profoundly influence his artistic vision.
Following his military service, Yamamoto dedicated himself to formal artistic training. He studied at several prestigious institutions:
The teachings of Hans Hofmann were particularly influential, shaping Yamamoto’s understanding of color and form. His exposure to the vibrant art scene of post-war New York further solidified his commitment to abstract expressionism.
Yamamoto’s work gained recognition within the burgeoning Abstract Expressionist movement, exhibiting alongside prominent artists like Jackson Pollock and Willem de Kooning.
Yamamoto's paintings are characterized by a dynamic interplay of abstract forms, bold colors, and layered textures. While rooted in the principles of Abstract Expressionism, his work often reveals subtle references to Japanese aesthetics and cultural motifs.
His pieces frequently explore themes of memory, identity, and the intersection of Eastern and Western artistic traditions.Taro Yamamoto played a vital role in bridging the gap between American Abstract Expressionism and Japanese artistic sensibilities. As part of the New York School, he contributed to the movement’s international acclaim during the post-World War II era. His work demonstrates the power of art to transcend cultural boundaries and express universal human experiences.
Though not as widely celebrated as some of his contemporaries, Yamamoto's contributions remain significant in understanding the diversity and complexity of Abstract Expressionism.
