Kilauea at Night (1888) je nejslavnější obraz autora Jules Tavernier, který se nachází v muzeu Honolulu Museum of Art ve městě Honolulu. Dry Creek (1881) a Kilauea Fire Fountain (1884) jsou dalšími dvěma díly, která svět zná nejlépe. Z 46 děl umělce Jules Tavernier v našem katalogu uvádíme 46 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
The night air seems to hold its breath in Kilauea at Night, a work by Jules Tavernier. This oil on canvas captures a specific, pulsing moment within the volcanic landscape of Hawaii. The scene unfolds with a raw energy that speaks to the untamed spirit of the islands. It is a vision of natural beauty, caught in the glow of geological power.
In this 1884 oil on canvas, we find ourselves standing at the edge of a profound geological event. The scene captures the intense heat of a volcanic eruption, where molten red lava surges from the earth into a darkened sky. Smoke and ash hang heavy in the air, obscuring the horizon and creating a sense of immense, suffocating power. It is a moment of pure, unbridled natural force, caught in…
Jules Tavernier's “Dance in a Subterranean Roundhouse at Clear Lake, California” isn’t merely a painting; it’s a portal. Painted in 1878 during a pivotal moment of cultural exchange and encroaching Western influence, this work offers an intimate, almost voyeuristic view into the sacred practices of the Elem Pomo people of Northern California. Tavernier, a French-born artist who embraced the American West with an adventurous spirit, was commissioned by Tiburcio Parrott,…
The Marin Sunset, Back of Petaluma is a breathtaking oil on canvas painting created by the renowned artist Jules Tavernier in 1882. This stunning piece of art is…
Objednat reprodukci od $181 →Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Jules Tavernier | Obrazy z tohoto seznamu |
|---|---|---|---|
 Honolulu Museum of Art |
Honolulu | 8 | Kilauea at Night, Kilauea Fire Fountain, An Eruption, Hawaii |
 Metropolitan Museum of Art |
New York | 2 | Dance in a Subterranean Roundhouse at Clear Lake, California, Dance in a Subterranean Roundhouse at Clear Lake, California |
 Isaacs Art Center |
Hawaii County | 2 | Kilauea Volcano and Rain Forest, Halema'uma'u Crater, Kilauea Volcano |
 Monterey State Historic Park |
California | 1 | A Dream (also known as Lady Fishing) |
 Russell-Cotes Art Gallery - Museum |
Bournemouth | 1 | The Crater of Kilauea, Island of Hawaii |
 American Museum of Western Art |
Colorado | 1 | Indian Encampment in the Desert |
 Museum of Art |
San Diego | 1 | Kilauea Caldera, Sandwich Islands |
 Gilcrease Museum |
Tulsa | 1 | Indian Village |
Jules Tavernier tvořil po dobu 19 let, od 1871 do 1889: zde je přehled této dlouhé kariéry rok po roce prostřednictvím jeho nejznámějších obrazů.
Jules Tavernier's “Dance in a Subterranean Roundhouse at Clear Lake, California” isn’t merely a painting; it’s a portal. Painted in 1878 during a pivotal moment of cultural exchange…
In this 1884 oil on canvas, we find ourselves standing at the edge of a profound geological event. The scene captures the intense heat of a volcanic eruption,…
The night air seems to hold its breath in Kilauea at Night, a work by Jules Tavernier. This oil on canvas captures a specific, pulsing moment within the…
Kilauea at Night (1888), Honolulu Museum of Art, Honolulu. Následují Dry Creek (1881) a Kilauea Fire Fountain (1884).
44 let: dílo Kilauea at Night pochází z roku 1888 a Jules Tavernier se narodil/a v roce 1844.
Kilauea at Night, Dry Creek, Kilauea Fire Fountain, Dance in a Subterranean Roundhouse at Clear Lake, California, Fort Lee, Trading Post of J. S. Collins, Eagle Rock, An Emigrants' Boarding House in New York, In Wildwood Glen, Saucelito , California a A Dream (also known as Lady Fishing). Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 46 děl autora Jules Tavernier z let 1871 až 1889.
Většina z nich se nachází v Honolulu Museum of Art (Honolulu), Metropolitan Museum of Art (New York) a Isaacs Art Center (Hawaii County). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1886: 6 z 46 děl na této stránce pochází z tohoto období, z nich Kilauea Caldera, Sandwich Islands.
Nejstarší dílo na této stránce pochází z Fort Lee (1871), nejnovější z A Sunset in Waioming (1889).
Usa (4), Mountains (3) a Landscape (3), z celkových 46 děl na této stránce.
Oil On Canvas: 2 z 46 děl na této stránce.
Kilauea at Night, Kilauea Fire Fountain a An Eruption, Hawaii patří mezi 8 děl na této stránce, která má v zastarání Honolulu Museum of Art, Honolulu.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
Born in Paris, France, Jules Tavernier was a man whose life was as much a journey of exploration as it was a pursuit of aesthetic mastery. Trained under the French painter Félix-Joseph Barrias, his early years were steeped in the classical traditions of Europe, yet his spirit was far too restless to be confined by the salons of Paris alone. After experiencing the turbulence of the Franco-Prussian War, Tavernier’s path took him through London and eventually across the Atlantic, where he would find a new canvas in the vast, untamed landscapes of the American West. As a painter, draftsman, and illustrator, he possessed a unique ability to translate the raw energy of the natural world into evocative works of art.
His career was defined by an adventurous spirit that led him from the rugged frontiers of California to the volcanic heart of Hawaii. In the United States, his talent caught the attention of major institutions; notably, his work as an illustrator for Harper's Magazine allowed him to document the American frontier during a year-long sketching tour of the coast. This period of travel was instrumental in shaping his vision, as he captured the essence of Native American themes and pastoral scenes that were then being transformed by westward expansion.
Tavernier is perhaps most celebrated for his association with Hawaii’s Volcano School, a movement characterized by its intense focus on the dramatic geological phenomena of the islands. His time in Hawaii allowed him to witness and record the terrifying beauty of volcanic eruptions, a subject he treated with profound technical skill. In masterpieces such as Kilauea Fire Fountain, Tavernier utilized bold brushstrokes and a vibrant palette to convey the heat and power of flowing lava against darkened, ash-filled skies. His technique often involved thick layers of oil paint, creating a sense of three-dimensional depth that made the molten landscapes appear almost tangible to the viewer.
Beyond the volcanic landscapes, his work also served as a vital historical record of cultural encounters. In pieces like Dance in a Subterranean Roundhouse at Clear Lake, California, he demonstrated a masterful command of chiaroscuro, using stark contrasts between light and shadow to illuminate the sacred rituals of the Elem Pomo people. Through his use of earthy tones punctuated by flashes of red and ochre, he captured not just a scene, but an atmosphere of mystery and reverence. His ability to blend the ethnographic with the atmospheric ensured that his paintings functioned as both fine art and poignant meditations on tradition and change.
The significance of Jules Tavernier lies in his role as a visual bridge between the Old World and the New. He brought the refined training of French academic art to the wild, burgeoning landscapes of the American West and the Pacific. His work remains a vital window into a period of intense cultural exchange and environmental awe. Whether capturing the serene sunset over Marin or the subterranean shadows of a California roundhouse, Tavernier’s legacy is one of profound observation and an enduring passion for the sublime power of the natural world.