Картината, която донесе слава на William Tasker, е Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839); тя се намира в Yale Center for British Art, Ню Хейвън. The Liverpool and National Steeplechase at Aintree, 1843 (1843) и National Defense (1921) следват след тях в сърцата на колекционери и музейни посетители. От 3 произведения на William Tasker в нашия каталог, тези 3 са най-обожавани – всяко от тях е представено с дата, музей и описание на това, което го прави уникално.
Класирани според нашия коефициент за популярност, който съчетава търсенията, посещенията и поръчките за всяко произведение. Обновено Ноември 2026.
2 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на William Tasker | Картини от този списък |
|---|---|---|---|
 Yale Center for British Art |
Ню Хейвън | 2 | Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester, The Liverpool and National Steeplechase at Aintree, 1843 |
 Метрополитън Музей на изкуствата |
Ню Йорк | 1 | National Defense |
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839), Yale Center for British Art, Ню Хейвън. Следват The Liverpool and National Steeplechase at Aintree, 1843 (1843) и National Defense (1921).
В нашия каталог са изброени 3 произведения на William Tasker, датирани от 1839 до 1921.
Повечето от тях се намират в Yale Center for British Art (Ню Хейвън) и Метрополитън Музей на изкуствата (Ню Йорк). В горната таблица музеите са изброени един по един.
Най-старата творба на тази страница е от Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839), а най-новата е от National Defense (1921).
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester и The Liverpool and National Steeplechase at Aintree, 1843 са сред 2-те произведения на тази страница, съхранявани в Yale Center for British Art, Ню Хейвън.
Born in New York City, William Tasker spent his life observing the way light settles upon the land. His brushwork followed the shifts of the Impressionist movement, focusing on the fleeting qualities of color and the atmosphere of the American landscape. He did not merely paint scenes; he captured the way light moves through a space, often working with oil on canvas to build texture and depth. His hands were accustomed to the quiet work of capturing the ephemeral, turning a specific moment in time into a permanent record of light and shadow.
His career was marked by a steady presence in the American art scene. He was part of a generation that helped bring new ways of seeing to the United States, participating in significant exhibitions that changed how people viewed local scenery. His work moved through the galleries of his time, finding its way into permanent collections where his specific handling of color remains visible.
Tasker’s work captures the energy of specific moments, often focusing on the relationship between a subject and its surroundings. His paintings move between the quietude of the landscape and the structured motion of life. His oil on canvas works include:
In National Defense, there is a sense of weight and purpose. The paint carries a certain gravity, moving away from purely decorative scenes toward something more substantial. He had a way of grounding his subjects within a tangible reality, using color and light to define the space they occupy. His presence in the 1913 Armory Show helped bring these Impressionist sensibilities to a wider American audience.
By the time of his death in 1933, Tasker had left behind a body of work that speaks to the evolution of American painting. His involvement in the Armory Show of 1913 placed him at the center of a major shift in artistic thought. He was there when the old ways of seeing were being challenged by new, more experimental approaches. His paintings remain in places like the Metropolitan Museum of Art, where the brushstrokes still hold the light he once sought to capture. He remains a figure of the Impressionist movement, remembered for how he translated the atmosphere of his surroundings onto the canvas.