Twelve Views of Landscape (Shan-shui shih-erh-ching) е най-известната картина на Xia Gui, която се намира в Nelson-Atkins Museum of Art в Канзас Сити. От 2 произведения на Xia Gui в нашия каталог, ето 2-те, които колекционерите и посетителите на музеи разглеждат най-често, с годината, музея и историята на всяко от тях.
Класирани според нашия коефициент за популярност, който съчетава търсенията, посещенията и поръчките за всяко произведение. Обновено Октомври 2026. Всяко шедьовър на тази страница може да бъде поръчано като маслено репродукция на ръка с музейно качество или като художествен принт, в избран от Вас размер.
2 музея, които притежават най-голям брой от картините на тази страница.
| Музеи | Град | Творения на Xia Gui | Картини от този списък |
|---|---|---|---|
 Nelson-Atkins Museum of Art |
Канзас Сити | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) |
 Национален дворец музей |
Taipei | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching)
В нашия каталог са изброени 2 произведения на Xia Gui.
Повечето от тях се намират в Nelson-Atkins Museum of Art (Канзас Сити) и Национален дворец музей (Taipei). В горната таблица музеите са изброени един по един.
Да. Всяка картина на тази страница може да бъде поръчана като ръчно рисувано маслено репродукция музейно качество или като художествен принт в избран от Вас размер, директно от страницата на съответната картина.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.