Цецилия Бейкс, 1855 – 1942

Цецилия Бейкс: 100-те най-известни картини

Sita and Sarita (1893) е най-известната картина на Цецилия Бейкс, която се намира в Музей д’Орсе в Париж. Ernesta (Child with Nurse) (1894) и Sita and Sarita (1921) са следните две най-известни творби в света. От 102 произведения на Цецилия Бейкс в нашия каталог, ето 100-те, които колекционерите и посетителите на музеи разглеждат най-често, с годината, музея и историята на всяко от тях.

Класирани според нашия коефициент за популярност, който съчетава търсенията, посещенията и поръчките за всяко произведение. Обновено Октомври 2026. Всяко шедьовър на тази страница може да бъде поръчано като маслено репродукция на ръка с музейно качество или като художествен принт, в избран от Вас размер.

Портрет на Цецилия Бейкс
Цецилия Бейкс · 1855 – 1942
Роден · починал
1855 – 1942, Филаделфия
Движение
Impressionism
Работи в нашия каталог
102
Най-известни
Sita and Sarita (1893)
Най-много творби в
Pennsylvania Academy of Fine Arts

Топ 10: най-известните картини на Цецилия Бейкс

Sita and Sarita (1893) на Цецилия Бейкс
1

Sita and Sarita

1893 · Oil On Canvas · Музей д’Орсе, Париж

In the quiet, luminous realm of Cecilia Beaux’s 1893 masterpiece, Sita and Sarita, we encounter more than just a portrait; we step into a moment of profound, whispered elegance. As a cornerstone of American portraiture during the opulent Gilded Age, Beaux possessed a rare ability to capture the psychological depth of her subjects through a lens of Impressionistic refinement. This particular work, currently held in the esteemed collection of the…

Ernesta (Child with Nurse) (1894) на Цецилия Бейкс
2

Ernesta (Child with Nurse)

Cecilia Beaux’s “Ernesta” – A Study in Dignified Vulnerability Cecilia Beaux (1855-1942), born Eliza Cecilia Beaux in Philadelphia, ascended to prominence as a leading figure in American portraiture during the opulent era of the Gilded Age. Her artistic journey unfolded against a backdrop of personal hardship—the untimely death of her mother just twelve days after birth casting a poignant shadow over her formative years—yet she persevered with unwavering determination and…

Sita and Sarita (1921) на Цецилия Бейкс
3

Sita and Sarita

1921 · Oil On Canvas · Национална галерия на изкуствата, Уокшънтън

A woman sits in a quiet, luminous space, her form draped in a gown of ivory and cream. The fabric falls in heavy, textured folds, catching a light that seems to emanate from the upper left. Perched upon her shoulder is a black cat, its presence a sharp, dark weight against the pale expanse of her dress. The animal's eyes are bright, fixed upon the viewer with a steady, penetrating…

Останалата част от класацията на Цецилия Бейкс, от 11 до 100

Helena de Kay Gilder (1911) на Цецилия Бейкс
#65

Helena de Kay Gilder

1911 · Метрополитън Музей на изкуствата

In the quiet, evocative realm of Cecilia Beaux’s 1911 masterpiece, Helena de Kay Gilder, we encounter more than just a likeness; we enter a profound meditation on grief…

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Cecil Kent Drinker (1891) на Цецилия Бейкс
#67

Cecil Kent Drinker

1891 · Philadelphia Museum of Art

A Portrait of Quiet Strength: Cecilia Beaux’s Cecil Kent Drinker Cecilia Beaux's "Cecil Kent Drinker," painted in 1891, isn’t merely a portrait; it’s a carefully constructed study in…

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Ernesta (1914) на Цецилия Бейкс
#70

Ernesta

1914 · Метрополитън Музей на изкуствата

Cecilia Beaux’s Ernesta: A Portrait of Quiet Dignity Cecilia Beaux (1855-1942) stands as a monumental figure in American portraiture, particularly during the opulent era of the Gilded Age.…

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Обичаните сюжети на Цецилия Бейкс

Четирите най-често срещани сюжета сред тези шедьоври, с най-добрия пример за всеки от тях.

Къде могат да се видят картините на Цецилия Бейкс

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Цецилия Бейкс Картини от този списък
Pennsylvania Academy of Fine Arts, ФиладелфияPennsylvania Academy of Fine Arts Филаделфия 10 Mother and Daughter, New England Woman, Ernesta Beaux Drinker; the artist's sister; and Henry Sandwith Drinke
Метрополитън Музей на изкуствата, Ню ЙоркМетрополитън Музей на изкуствата Ню Йорк 5 Ernesta (Child with Nurse), Helena de Kay Gilder, Helena de Kay Gilder
Harvard Art Museums, КеймбриджHarvard Art Museums Кеймбридж 4 Breton Girl, Study for the Portrait of Mrs. Beauveau Borie and Her Son Adolphe, Study for the Portrait of Mrs. Clement Griscom and her daughter Frances Canby
Smithsonian American Art Museum, Вашингтон, окръг КолумбияSmithsonian American Art Museum Вашингтон, окръг Колумбия 4 Georges Clemenceau, Henry sturgis drinker, Cardinal Mercier
Indianapolis Museum of Art, ИндианаполисIndianapolis Museum of Art Индианаполис 3 Portrait of Mrs. Addison C. Harris, Portrait of Mrs. Albert J. Beveridge (Catherine Eddy; Lady Primrose Portrait), Portrait of Mary Knox Buzby Addicks Warner
Музей д’Орсе, ПарижМузей д’Орсе Париж 2 Sita and Sarita, Girl with a Cat
National Portrait Gallery, Вашингтон, окръг КолумбияNational Portrait Gallery Вашингтон, окръг Колумбия 2 Cecilia Beaux Self-Portrait, Richard Watson Gilder
Philadelphia Museum of Art, ФиладелфияPhiladelphia Museum of Art Филаделфия 2 Cecil Kent Drinker, George Burnham.

Цецилия Бейкс през десетилетията: по едно шедьовър за всяко

  1. 1880s
    Mrs. John Wheeler Leavitt (1885) на Цецилия Бейкс
    № 5 от 100

    Mrs. John Wheeler Leavitt

    Възраст 25 – 34

    Cecilia Beaux painted Mrs. John Wheeler Leavitt in 1885. The sitter, born Cecilia Kent, was the artist's grandmother. This portrait captures a significant figure from Beaux's personal history,…

  2. 1890s
    Sita and Sarita (1893) на Цецилия Бейкс
    #1 от 100

    Sita and Sarita

    Възраст 35 – 44 · Музей д’Орсе

    In the quiet, luminous realm of Cecilia Beaux’s 1893 masterpiece, Sita and Sarita, we encounter more than just a portrait; we step into a moment of profound, whispered…

  3. 1900s
  4. 1910s
    After the Meeting (1914) на Цецилия Бейкс
    #29 от 100

    After the Meeting

    Възраст 55 – 64 · Музей на изкуствата в Толедо
  5. 1920s
    Sita and Sarita (1921) на Цецилия Бейкс
    #3 от 100

    Sita and Sarita

    Възраст 65 – 74 · Национална галерия на изкуствата

    A woman sits in a quiet, luminous space, her form draped in a gown of ivory and cream. The fabric falls in heavy, textured folds, catching a light…

Картини на Цецилия Бейкс: често задавани въпроси

Коя е най-известната картина на Цецилия Бейкс?Покажи отговора

Sita and Sarita (1893), Музей д’Орсе, Париж. Следват Ernesta (Child with Nurse) (1894) и Sita and Sarita (1921).

На каква възраст Цецилия Бейкс е нарисувал/а Sita and Sarita?Покажи отговора

38 години: Sita and Sarita е от 1893 г., а Цецилия Бейкс е роден/а в 1855.

Кои са 10-те най-известни картини на Цецилия Бейкс?Покажи отговора

Sita and Sarita, Ernesta (Child with Nurse), Sita and Sarita, GIRL WITH LYRE (PORTRAIT OF DOROTHEA GILDER), Mrs. John Wheeler Leavitt, Ethel Page, Cecilia Beaux Self-Portrait, Breton Girl, Mother and Daughter и Study for the Portrait of Mrs. Beauveau Borie and Her Son Adolphe. Класацията по-горе посочва годината и музея на всяко от тях.

Колко са картините на Цецилия Бейкс?Покажи отговора

В нашия каталог са изброени 102 произведения на Цецилия Бейкс, датирани от 1884 до 1926.

Къде мога да видя най-известните картини на Цецилия Бейкс?Покажи отговора

Повечето от тях се намират в Pennsylvania Academy of Fine Arts (Филаделфия), Метрополитън Музей на изкуствата (Ню Йорк) и Harvard Art Museums (Кеймбридж). В горната таблица музеите са изброени един по един.

В кой период Цецилия Бейкс е създал най-известните си произведения?Покажи отговора

В 1900s: 19 от 100 произведенията на тази страница са от този период, като сред тях са Portrait of Sarah E. Doyle.

Коя е най-ранната известна картина на Цецилия Бейкс и коя е най-късната?Покажи отговора

Най-старата творба на тази страница е от Ethel Page (1884), а най-новата е от Julie Bruhns Kahle (Mrs. Marcell Kahle) (1926).

Какви теми е изобразявал Цецилия Бейкс?Покажи отговора

Portraits (13), Women (12) и American art (10), сред 100 произведения на тази страница.

Какво и с какво е рисувал Цецилия Бейкс?Покажи отговора

Oil On Canvas: 14 от общо 100 произведения на тази страница.

Към кое художествено направление принадлежи творчеството на Цецилия Бейкс?Покажи отговора

Impressionism, както показват картините на тази страница.

Кои картини на Цецилия Бейкс притежава Pennsylvania Academy of Fine Arts?Покажи отговора

Mother and Daughter, New England Woman и Ernesta Beaux Drinker; the artist's sister; and Henry Sandwith Drinke са сред 10-те произведения на тази страница, съхранявани в Pennsylvania Academy of Fine Arts, Филаделфия.

Къде мога да купя репродукция на Цецилия Бейкс?Покажи отговора

Да. Всяка картина на тази страница може да бъде поръчана като ръчно рисувано маслено репродукция музейно качество или като художествен принт в избран от Вас размер, директно от страницата на съответната картина.

Цецилия Бейкс: биография

A Life Illuminated: The World of Cecilia Beaux

Cecilia Beaux, born Eliza Cecilia Beaux on May 1st, 1855, in Philadelphia, emerged as a pivotal figure in American portraiture during the Gilded Age. Her story is one woven with threads of personal tragedy, determined self-reliance, and an unwavering commitment to artistic excellence. The shadow of early loss fell upon her life when her mother succumbed to puerperal fever just twelve days after Beaux’s birth, leaving a void that would subtly shape her perspective. Raised by her maternal grandmother and aunts in Philadelphia, she experienced a childhood marked by both stability and the quiet absence of parental guidance. Her father, unable to cope with his grief, returned to France for extended periods, creating a somewhat detached familial dynamic. Yet, within this framework, Beaux’s artistic inclinations were nurtured, initially through lessons with her relative Catherine Ann Drinker, an accomplished artist who served as an early role model and mentor. These formative years instilled in her not only technical skills but also a profound understanding of the dedication required to pursue a life devoted to art.

Forging a Path: Education and Early Influences

Beaux’s artistic education continued under Francis Adolf van der Wielen, where she honed her skills in perspective and drawing from casts. However, the societal constraints of the Victorian era presented significant obstacles for aspiring female artists; direct study of anatomy was largely denied to women until much later in her career. Undeterred, Beaux persevered, securing a place at the prestigious Pennsylvania Academy of the Fine Arts in 1876. While she maintained a degree of independence from the fervent followers of Thomas Eakins, his progressive teaching philosophy undeniably influenced her approach to art. It was during this period that Beaux began to establish herself as a skilled portraitist, winning several Mary Smith Prizes at the Pennsylvania Academy exhibitions between 1885 and 1892 – accolades that signaled her rising talent and recognition within the artistic community. A crucial turning point came with her decision to study in Paris in 1888, immersing herself in the European art scene and absorbing influences from academic masters like Tony Robert-Fleury and William-Adolphe Bouguereau, as well as the burgeoning Impressionist movement exemplified by artists such as Édouard Manet and Edgar Degas. This exposure broadened her artistic horizons and refined her technique, laying the foundation for her distinctive style. Beaux’s early works often reflected a delicate realism, influenced by the meticulous detail of academic portraiture, but she quickly developed a unique ability to capture subtle nuances of expression and personality.

A Master of Society Portraiture

Upon returning to Philadelphia, Cecilia Beaux quickly ascended to prominence as a sought-after portraitist, capturing the essence of America’s social and intellectual elite with remarkable sensitivity and skill. Her portraits weren't merely likenesses; they were insightful studies of character, imbued with psychological depth and an elegant aesthetic sensibility. She possessed an extraordinary ability to convey not only the physical appearance but also the inner lives of her subjects. Her most celebrated works, such as *Portrait of Harriet Sears Amory* (1892), exemplify this mastery. Executed with bravura brushstrokes and a heavy impasto reminiscent of Impressionism, it showcases Beaux’s technical prowess and her ability to capture both the grandeur and vulnerability of her sitter. Along with John Singer Sargent and William Merritt Chase, Beaux became one of the leading portraitists in the United States at the turn of the twentieth century. Chase himself famously declared her “not only the greatest living woman painter, but the best that has ever lived,” a testament to the high regard she held within artistic circles. Her clientele included prominent figures such as First Lady Edith Roosevelt, Admiral Sir David Beatty, and Georges Clemenceau, solidifying her reputation as a chronicler of the Gilded Age. Beaux’s portraits were characterized by their intimate atmosphere, often depicting subjects in relaxed poses and informal settings, reflecting a departure from the stiff formality of traditional portraiture.

Breaking Barriers and Lasting Influence

Cecilia Beaux's career was marked by both professional success and personal challenges. Despite facing discrimination as a woman artist, she persevered through sheer determination and talent. She became the first woman to teach at the Pennsylvania Academy of the Fine Arts in 1895, opening doors for future generations of female artists and demonstrating her commitment to nurturing artistic talent. Beaux’s influence extended beyond her own work; she was a respected mentor and teacher, shaping the careers of numerous aspiring painters. Her dedication to her craft earned her numerous accolades, including a gold medal from the National Institute of Arts and Letters and recognition from Eleanor Roosevelt as “the American woman who had made the greatest contribution to the culture of the world.” Her works are now held in esteemed collections such as The Westmoreland Museum of American Art and the Pennsylvania Academy of the Fine Arts, ensuring her legacy endures for generations to come. Beaux’s art continues to resonate with viewers today, offering a glimpse into a bygone era while simultaneously celebrating the enduring power of human connection and artistic expression.

Beyond Portraiture: A Diverse Artistic Palette

While primarily known for her portraits, Cecilia Beaux demonstrated versatility in her artistic practice. Her landscapes, such as *Landscape with Farm Building* (1888), reveal an Impressionistic sensibility, characterized by loose brushwork, vibrant colors, and a focus on capturing the fleeting effects of light and atmosphere. These works offer a contrasting perspective to her meticulously rendered portraits, showcasing Beaux’s ability to adapt her style to different subjects and genres. Her exploration of rural American life in these landscapes highlights her interest in depicting the beauty and tranquility of the natural world, further enriching her artistic repertoire. Beaux's willingness to experiment with various styles and mediums underscores her creative spirit and her commitment to continuous growth as an artist.

A Final Note

Cecilia Beaux’s legacy is one of innovation, resilience, and artistic excellence. She defied societal expectations and established herself as a leading portraitist during a period when women faced significant barriers in the art world. Her captivating portraits continue to captivate audiences today, offering a window into the lives and personalities of America's most prominent figures. Beaux’s work stands as a testament to her exceptional talent and her enduring contribution to American art history.

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