Формат на хартията

Ръководство за ученически творби

Promenade(Projection drawing)

Име Клас Дата

jung, sung won, Promenade(Projection drawing), Gyeonggi Creation Center. Репродуцирано с цел справка; всички права са запазени от правопритежателя.

Основни факти

Художник
jung, sung won wahooart.com/bg/artists/jung-sung-won/
Дати на създаване от художника
1973 – ?
Проведено в
Gyeonggi Creation Center wahooart.com/bg/museums/gyeonggi-creation-center-ansan/

В контекста

Promenade(Projection drawing) — jung, sung won

Кога може да е била нарисувана тази картина?

  1. 1970

Засенчен: животът на jung, sung won (1973–?)

За този запис няма точна дата в архива — предвид периода на живота на артиста и стила на произведението, коя година бихте предположили?

Сравнение с подобни произведения

Изберете едно от произведенията по-горе: посочете две неща, които то споделя с това произведение, и едно нещо, което го отличава.

Други произведения, които биха допълнили това: wahooart.com/bg/art/similar/jung-sung-won-promenade-projection-drawing-DD2FM4-en/

Цветова палитра

Измерено по изображението

    Основен цвят

    White #fefefe

    Запазена палитра

    • #FEFEFE
    • #101010
    • #CECECE
    • #5B5B5B
    Палитра
    Pastels Доминиращата цветова гама в изображението.
    Име на основния цвят
    White
    Интензивност
    Monochromatic Колко са наситени и разнообразни цветовете – от един приглушен нюанс до множество ярки такива.
    Контраст
    Statement Доколко цветовете се различават по светлота и наситеност в рамките на картината.
    Хармония
    Unified Palette Колко добре цветовете си взаимодействат – от контрастни до напълно обединени.
    Яркост
    Brilliant Общата светлост или тъмнина на изображението – от дълбока сянка до ярък акцент.
    Наситенност
    Muted Колко чисти и силни са цветовете – от почти сиви до напълно живи.

    За това произведение

    Promenade(Projection drawing) — jung, sung won

    In observation of the current conditions of Daebudo Island (Daebudo), in which a tradition­al way of living is rapidly changing due to the indiscreet redevelopments of the area into a leisure and tourist attraction, I intend to rear­range the landscape of Daebudo as one of the remaining islands in the west sea. Promenade is a French word, meaning a ‘walk’ or ‘trail.’ Besidethe simple meaning of ‘walking,’ this word evokes sensual as well as intellectual interactions, such as seeing, feeling, and thinking that one engages with, while taking a walk. I can tell from my experience that nothing is better than taking a walk when it comes to learning about geological locations, character­istics, and the environment of a new place. The crab trap in a circular shape used in the project is one of the fishing tools I paid attention to when I first visited Daebudo. One day a fishing boat owner told me that out-of-use fishing traps are mostly thrown into the sea owing to their disposal cost. These fishing traps abandoned in the sea are a threat to the marine ecosys­tem and environment. It is the main cause of ocean contamination and “ghost fishing” in this area, devastating water resources. I wanted to unravel these materials I discovered, the people of Daebudo I met, and the episodes I collected from the people in the different context of a ‘walk.’ I would like to suggest another landscape that brings the stories related to the area to light, through which the visitors feel, experience, and see the scenery of the reed field and the natural ecology between the fishing traps. At the same time, they learn about the tragic history of Seongamdo and the Seongam reformatory, while slowly taking a walk by the Promenade leading to the reed trail.

    Художник и музей

    Художник

    jung, sung won

    Роден в South Korea

    A Journey from the Spotlight to the Studio

    Jung Sung-Won’s life is a tapestry woven from the disparate threads of cinematic drama and quiet, contemplative artistry. Born in South Korea in 1973, his early years were defined by the high-energy worlds of fashion modeling and the silver screen. He first captured the public imagination not through a brushstroke, but through his commanding presence in the gritty 1997 film Beat, a performance that earned him prestigious accolades and established him as a vital figure in Korean cinema.

    Yet, beneath the veneer of a successful actor lay a foundation of discipline forged in the rigorous training of classical ballet. This early immersion in movement and precision would eventually find a new expression, transitioning from the physical grace of the stage to the meticulous, light-driven explorations of his canvas. His evolution represents a profound shift from being an object of the camera's gaze to becoming the creator of his own visual reality, where the drama of film is replaced by the subtle tension of shadow and light.

    The Alchemy of Projection and Light

    At the heart of Jung’s artistic evolution is a technique as mesmerizing as it is complex: projection drawing. Moving away from the spontaneous energy of performance, he embraced a method that demands an intense dialogue between the artist and the ephemeral. By meticulously rendering subjects in graphite before projecting them back onto the surface, Jung creates a space where light and form interact with unexpected serendipity.

    This process allows him to capture the subtle shifts in tone and the delicate interplay of shadows, much like the Surrealist masters who inspired his vision. His work is deeply informed by the dreamlike enigmas of René Magritte and the quiet, structural stillness of Giorgio Morandi. Through this method, he captures not just what is seen initially, but how light interacts with form—a fascinating interplay between planned execution and serendipitous discovery that mirrors the layered complexities found within his cinematic history.

    Narratives of Landscape and Connection

    Jung’s art extends far beyond mere visual representation; it is a profound meditation on connection, vulnerability, and the changing face of the natural world. In his evocative work Promenade, he turns his gaze toward the shifting landscapes of Daebudo Island. Through this project, he explores the tension between traditional ways of life and the encroaching tide of modern redevelopment.

    His observations are deeply ecological, noting the presence of abandoned fishing traps that threaten marine ecosystems—a poignant symbol of human impact on the environment. For Jung, a promenade is more than a simple walk; it is an intellectual and sensual engagement with the earth, where every step reveals a new layer of history, ecology, and human story. His work invites the viewer to slow down, much like his own artistic process, to witness the beauty found in the intersection of memory, nature, and the present moment.

    Музей

    Gyeonggi Creation Center

    Изложено в Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

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    QR код, който препраща към страницата за изтегляне на Promenade(Projection drawing)

    wahooart.com/bg/art/download/jung-sung-won-promenade-projection-drawing-DD2FM4-en/

    Цитиране на това произведение

    MLA
    won, jung, sung. Promenade(Projection drawing). n.d., Gyeonggi Creation Center. https://wahooart.com/bg/art/jung-sung-won-promenade-projection-drawing-DD2FM4-en/
    APA
    won, jung, sung (n.d.). Promenade(Projection drawing) [Painting]. Gyeonggi Creation Center. https://wahooart.com/bg/art/jung-sung-won-promenade-projection-drawing-DD2FM4-en/
    Chicago
    jung, sung won. Promenade(Projection drawing). n.d. Gyeonggi Creation Center. https://wahooart.com/bg/art/jung-sung-won-promenade-projection-drawing-DD2FM4-en/
    Harvard
    won, jung, sung (n.d.) Promenade(Projection drawing). Gyeonggi Creation Center. Available at: https://wahooart.com/bg/art/jung-sung-won-promenade-projection-drawing-DD2FM4-en/

    Разгледайте внимателно

    Promenade(Projection drawing) — jung, sung won

    Разгледайте внимателно

    Отговорете с ваши собствени думи. Тук няма грешни отговори — само такива, които можете да обясните.

    1. Какво привлича погледа ви първо и защо?
    2. Кои цветове или форми създават настроението — и какво представлява то?
    3. Погледнете отново към Promenade(making process), по-рано в това ръководство. Намерете две общи черти между него и тази творба, както и една разлика.
    4. Какво е искал да ви накара да почувствате художникът?
    5. Ако можехте да зададете само един въпрос на художника за тази творба, какъв щеше той да бъде?

    Вашият отговор

    Напишете кратък абзац за това произведение на изкуството. Използвайте факти от предишните части на това ръководство и вашите отговори по-горе.