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Сигмар Полке Най-популярни картини

The 25 artworks by Сигмар Полке our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Ленен хол · Сертификат за автентичност · Доставка по целия свят Сигмар Полке · 1941 – 2010

Levitation

2005 · Kunsthaus Zürich, Цюрих · original 300 x 500 cm

Sigmar Polke’s ‘Levitation,’ created in 2005, is a monumental black and white photograph depicting a painterly image featuring astonished witnesses and hinting at hidden depths beyond the frame. It exemplifies Polke's signature blend of experimental techniques and subversive commentary.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 1 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18141 × 25 cm Commission this artwork

Sem título

1968 · Фондация Серралвес, Порто · original 60 x 50 cm

Sigmar Polke's 'Sem título' (1968) is a striking grid of black & white photographs featuring minimalist still lifes, reflecting capitalist realism and exploring perception through photographic collage.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 2 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$20629 × 34 cm Commission this artwork

Same size as the original$26750 × 60 cm Commission at original size

Sem título

1968 · Фондация Серралвес, Порто · original 60 x 50 cm

Sigmar Polke’s "Sem título" (1968) presents a stark grid of black & white photographs featuring minimalist still lifes. Capitalist Realism's austerity meets everyday objects – explore this iconic work.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 3 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18129 × 34 cm Commission this artwork

Same size as the original$24250 × 60 cm Commission at original size

Sem título

1965 · Фондация Серралвес, Порто · original 29 x 21 cm

Sigmar Polke’s ‘Sem título’ (1968) is a striking grid of black & white photographs featuring minimalist still lifes, reflecting capitalist realism and exploring perception through photographic collage. It exemplifies Polke's signature style – combining stark visuals with conceptual depth.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 4 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18127 × 37 cm Commission this artwork

Woman at mirror

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 5 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18125 × 40 cm Commission this artwork

Potato House

1967 · original 240 x 200 cm

A provocative lattice structure of wood and fresh potatoes by Sigmar Polke captures the subversive spirit of 1960s Capitalist Realism, inviting you to explore this unique piece of contemporary art history.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 6 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18132 × 32 cm Commission this artwork

Same size as the original$1587200 × 240 cm Commission at original size

Jess

Sigmar Polke’s ‘Jess’ is a layered mixed media piece evoking frontier melancholy. Explore this Capitalist Realism work featuring distressed figures & textured surfaces.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 7 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$20630 × 34 cm Commission this artwork

Lingua

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 8 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18128 × 36 cm Commission this artwork

Watchtower

Explore Sigmar Polke’s ‘Watchtower,’ a layered abstract expressionist masterpiece blending surrealism & dark tones. Discover its ship silhouette, textured background & evocative symbolism.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 9 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18127 × 37 cm Commission this artwork

Untitled (Lens Painting)

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 10 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18132 × 31 cm Commission this artwork

Magnetic landscape

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 11 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18131 × 32 cm Commission this artwork

Audacia

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 12 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18131 × 32 cm Commission this artwork

Seance

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 13 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18132 × 31 cm Commission this artwork

Two palm trees

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 14 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18128 × 36 cm Commission this artwork

Bunnies

1966

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 15 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18140 × 25 cm Commission this artwork

Kandinsdingsda

Sigmar Polke’s ‘Kandinsdingsda’ is a layered abstract composition of yellow hues, figures & patterns. Explore collage, expressionism & controlled chaos in this unique artwork.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 16 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$20633 × 31 cm Commission this artwork

Alice in wonderland

Sigmar Polke’s "Alice in Wonderland" is a chaotic abstract painting of monochrome faces amidst vibrant color. Explore its unsettling beauty & Pop Art influence – a unique, layered artwork.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 17 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$178137 × 27 cm Commission this artwork

Large

Sigmar Polke’s "Large" is a chaotic abstract painting of layered textures & fragmented imagery. Explore its expressionistic style, decay motifs, & controlled chaos – a unique piece.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 18 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18145 × 22 cm Commission this artwork

Untitled (294)

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 19 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18141 × 25 cm Commission this artwork

Woman exchanged

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 20 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18128 × 36 cm Commission this artwork

Supermarkets

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 21 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18138 × 26 cm Commission this artwork

Lens paintings

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 22 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18128 × 35 cm Commission this artwork

Alibis

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 23 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18129 × 35 cm Commission this artwork

Untitled (2)

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 24 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18138 × 27 cm Commission this artwork

Lackmus

Sigmar Polke’s ‘Lackmus’ – a surreal, expressionistic work featuring a monumental figure suspended in warm tones. Explore its symbolic depth & unique technique.

Техника: Ръчно рисувано масло върху ленен хол
Изработено: За поръчка, от обучен художник
Popularity: No. 25 of 54 artworks by Сигмар Полке
Доставка: В световен мащаб, около 5 седмици

from$18134 × 30 cm Commission this artwork

The artist

Сигмар Полке

1941 – 2010

Бързи факти

Museums on APSKunsthaus Zürich, Фондация Серралвес
Emotional toneпоразяващ
Born1941, Олешница, Полша
Topics exploredfragmentation, surrealism, minimalism, photography, grid
Movementspop art, capitalist realism
Vibeспокоен
Room fitдневна стая
Died2010

Biography

A Life Forged in Displacement: The Early Years and Artistic Formation of Sigmar Polke

Sigmar Polke’s artistic journey was profoundly shaped by the tumultuous currents of 20th-century history, beginning with his birth in Oels (now Olesnica), a small town in German Silesia, in 1941. His early life was marked by displacement; as a child, he fled with his family first to Thuringia and then, seeking refuge from Communist rule, to West Germany in 1953. This experience of being uprooted, of existing between worlds – caught between the remnants of a shattered past and an uncertain future – instilled within him a lifelong skepticism towards fixed ideologies and a fascination with the instability of perception – themes that would become central to his art. Before dedicating himself fully to painting, Polke underwent an apprenticeship as a stained-glass worker in Düsseldorf (1959-1960), a formative experience that honed his technical skill and introduced him to the possibilities of manipulating light and color, skills he would later subtly incorporate into his own paintings. He then formally studied at the Kunstakademie Düsseldorf (1961-1967) under a constellation of influential figures: Karl Otto Götz, Gerhard Hoehme, and most significantly, Joseph Beuys. It was within this environment – a crucible of artistic experimentation and intellectual debate – that Polke began to forge his unique artistic voice, one characterized by an audacious willingness to challenge conventions, a playful engagement with popular culture, and a relentless questioning of established norms.

Capitalist Realism and the Subversion of Ideology

Emerging in the early 1960s, Polke’s work quickly aligned with a burgeoning counter-cultural movement. In 1963, alongside Gerhard Richter, Konrad Lueg, and Manfred Kuttner, he co-founded *Kapitalistischer Realismus* (Capitalist Realism). This was not an artistic style in the traditional sense but rather a provocative gesture – a deliberate critique of both Western consumer culture and the rigid dogma of Soviet Socialist Realism. The movement’s name itself was deliberately ambiguous, suggesting that both systems were equally capable of producing artificial realities, of presenting a distorted reflection of truth. Polke's early paintings from this period often appropriated imagery from advertising, comics, and popular media – billboards, magazine spreads, even the iconography of American television – presenting them with a detached irony that exposed their underlying ideological structures. He wasn’t simply rejecting capitalism; he was demonstrating its pervasive influence on perception itself, revealing how images could be used to manipulate desires and shape beliefs. These works weren't intended as straightforward condemnations but rather as unsettling examinations of the mechanisms of control. The use of halftone dots, mimicking newspaper reproduction, became a signature technique, lending an air of manufactured reality to his subjects.

Wanderlust, Photography, and the Alchemy of Materials

The 1970s witnessed a significant shift in Polke’s artistic focus towards photography. Driven by an insatiable curiosity about the world – and perhaps a desire to escape the confines of Düsseldorf – he embarked on extensive travels to Afghanistan, Brazil, France, Pakistan, and the United States, documenting everyday life with a keen eye for the absurd and the unexpected. These weren't straightforward documentary photographs; Polke subjected his images to radical chemical manipulation, altering their colors, textures, and meanings through processes like bleaching, toning, and layering. He embraced chance operations – deliberately splashing paint onto negatives, exposing them to sunlight, or using photographic chemicals in unconventional ways – challenging the notion of photography as an objective record of reality. This period reflects a deep exploration of perception – how our understanding of the world is shaped by subjective experience and mediated through technology. It was during this time that he began experimenting with incorporating industrial materials into his paintings: arsenic, meteor dust, turquoise, beeswax – elements that added layers of complexity and unpredictability to his work. He viewed these materials not merely as pigments but as catalysts for transformation, seeking to unlock hidden properties within them and create works that were constantly evolving, defying easy categorization.

Neo-Expressionism, Historical Commentary, and Lasting Legacy

In the 1980s, Polke dramatically returned to painting, but not in any conventional sense. He began experimenting with unconventional materials – arsenic, meteor dust, turquoise, beeswax – incorporating them into his canvases alongside traditional pigments. This alchemical approach was driven by a desire to unlock hidden properties within matter and to create works that were constantly evolving, defying easy categorization. His later work often engaged with historical events and perceptions thereof, frequently adopting a sardonic or critical perspective. While his style was sometimes associated with Neo-Expressionism due to its expressive brushwork and emotionally charged imagery, he remained fundamentally resistant to categorization. He continued to challenge the boundaries of painting, layering images, incorporating commercial fabrics, and embracing chance as an integral part of his creative process. His work is not easily deciphered; it resists simple interpretations and demands active engagement from the viewer. Polke’s influence can be seen in the work of countless artists who followed, those who dare to challenge conventions and embrace ambiguity as a source of creative power. He died in Cologne in June 2010 after a long battle with cancer, leaving behind a body of work that continues to inspire and provoke – a testament to his unique vision and enduring legacy.

Influences and Artistic Kinships

Throughout his career, Polke engaged with a diverse range of artistic influences. Joseph Beuys, his teacher at the Düsseldorf Kunstakademie, was particularly significant, shaping Polke’s exploration of unconventional materials and social commentary. The bold imagery and consumer culture critique of American *Pop Art* also resonated with him, though he filtered these influences through a distinctly German lens of skepticism and irony. Furthermore, his work engaged with the broader context of *German Art Informel*, an abstract expressionist movement that emphasized spontaneous gesture and material exploration. Polke’s artistic kinship with figures like Karl Otto Götz and Konrad Lüg—both fellow travelers in the early days of Capitalist Realism—further illuminates the collaborative spirit and intellectual ferment that characterized his formative years. Ultimately, Polke transcended any single label or movement, forging a unique path that continues to inspire artists today.

Въпроси и отговори

Какво настроение изразяват творбите на Сигмар Полке?

Страницата Пространство по настроение на художника показва творбите на Сигмар Полке, подредени според тяхната атмосфера.

Кои творби на Сигмар Полке са с най-много прегледи?

Страницата Статистика на Сигмар Полке представя статистика, изчислена въз основа на произведенията на артиста, изброени в ето този уебсайт.

Има ли хронологична линия на творбите на Сигмар Полке?

Творбите на Сигмар Полке могат да бъдат разгледани в хронологичен ред на страницата Хронология на произведенията на художника.

От редакционния екип на WahooArt.com Обновено на 02 Септември 2026

Квиз за колекционери

Какъв беше основният предмет на критиката на движението „Капиталистичен реализъм“?’
В която област се фокусира творческият път на Полке през 70-те години?’
Какъв материал използва Полке експериментално в своите картини?’
Къде преподава Полке от 1977 до 1991 г.?’
Коя художествена школа е най-често свързана с творчеството на Полке в късния XX век?’

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Every artwork by Сигмар Полке in our catalog can be painted to order, in the size that suits the room.

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