John Mare, 1739 – 1803

لوحات John Mare: أشهر 3 أعمال، مرتبة حسب الأهمية

تُعد Dr. Benjamin Youngs Prime (1733-1791) (1774) أشهر لوحات John Mare، والموجودة في New York Historical Society، مدينة نيويورك. مع John Keteltas (1739-1766) (1767) وJeremiah Platt (1767)، تكتمل الأعمال الثلاثة التي يعرفها الجميع. تضم قائمتنا 3 من أعمال John Mare؛ وتُعد الـ 3 المذكورة أدناه هي الأكثر شهرة عالمياً، مع توضيح سنة إنتاجها، والمتحف الذي يضمها، وأهميتها الفنية.

تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في نوفمبر 2026. يمكن طلب كل لوحة فنية في هذه الصفحة كنسخة زيتية مرسومة يدوياً بجودة المتاحف، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.

بورتريه لـ John Mare
John Mare · 1739 – 1803
تاريخ الميلاد · تاريخ الوفاة
1739 – 1803, New York City
الأعمال الموجودة في كتالوجنا
3
الأكثر شهرة
Dr. Benjamin Youngs Prime (1733-1791) (1774)
أكبر عدد من الأعمال في
New York Historical Society

أشهر 10 لوحات لـ John Mare

Dr. Benjamin Youngs Prime (1733-1791) (1774) للفنان John Mare
1

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, مدينة نيويورك

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

نسخة زيتية مرسومة يدوياً من $181 27 × 37 cm
John Keteltas (1739-1766) (1767) للفنان John Mare
2

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, مدينة نيويورك

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

نسخة زيتية مرسومة يدوياً من $181 29 × 35 cm
Jeremiah Platt (1767) للفنان John Mare
3

Jeremiah Platt

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

نسخة زيتية مرسومة يدوياً من $181 28 × 36 cm بنفس حجم العمل الأصلي $516 98 × 123 cm اطلب بالحجم الأصلي →

المواضيع التي رسمها John Mare أكثر من غيره

المواضيع الأربعة الأكثر تكراراً بين هذه التحف الفنية، مع أجمل مثال لكل منها.

أين يمكنك مشاهدة لوحات John Mare

المتاحف 2 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

المتحف المدينة أعمال John Mare لوحات من هذه القائمة
New York Historical Society, مدينة نيويوركNew York Historical Society مدينة نيويورك 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
متحف المتروبوليتان للفنون, نيويوركمتحف المتروبوليتان للفنون نيويورك 1 Jeremiah Platt

أشهر لوحات John Mare عاماً بعد عام

رسم John Mare لفترة لم تتجاوز 8 عاماً، من 1767 إلى 1774: تتبع ذلك العقد عاماً بعد عام، من خلال اللوحات التي صنعت اسمه.

  1. 1767
    John Keteltas (1739-1766) (1767) للفنان John Mare
    المركز 2 من 3

    John Keteltas (1739-1766)

    العمر 28 · New York Historical Society

    A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

  2. 1767
    Jeremiah Platt (1767) للفنان John Mare
    الرقم 3 من أصل 3

    Jeremiah Platt

    العمر 28 · متحف المتروبوليتان للفنون

    Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

  3. 1774
    Dr. Benjamin Youngs Prime (1733-1791) (1774) للفنان John Mare
    الرقم 1 من أصل 3

    Dr. Benjamin Youngs Prime (1733-1791)

    العمر 35 · New York Historical Society

    The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

أسئلة حول لوحات John Mare

ما هي أشهر لوحة لـ John Mare؟أظهر الإجابة

Dr. Benjamin Youngs Prime (1733-1791) (1774)، New York Historical Society, مدينة نيويورك. يليهما John Keteltas (1739-1766) (1767) وJeremiah Platt (1767).

كم كان عمر John Mare عندما رُسمت Dr. Benjamin Youngs Prime (1733-1791)؟أظهر الإجابة

عمر 35 عاماً: يعود تاريخ Dr. Benjamin Youngs Prime (1733-1791) إلى عام 1774، وقد وُلد John Mare في 1739.

كم عدد اللوحات التي رسمها John Mare؟أظهر الإجابة

تضم قائمتنا 3 من أعمال John Mare، التي يعود تاريخها من 1767 إلى 1774.

أين توجد أشهر لوحات John Mare؟أظهر الإجابة

معظمها موجود في New York Historical Society (مدينة نيويورك) و متحف المتروبوليتان للفنون (نيويورك). وتدرج القائمة أعلاه المتاحف واحداً تلو الآخر.

متى رسم John Mare أشهر أعماله؟أظهر الإجابة

في 1767: 2 من أصل 3 من الأعمال في هذه الصفحة تعود إلى ذلك التاريخ، من بينها John Keteltas (1739-1766).

ما هي أشهر لوحات John Mare المبكرة والأخيرة؟أظهر الإجابة

أقدم لوحة في هذه الصفحة هي من عام John Keteltas (1739-1766) (1767)، وأحدثها من عام Dr. Benjamin Youngs Prime (1733-1791) (1774).

ما هي أكثر المواضيع التي رسمها John Mare؟أظهر الإجابة

Man (2), Wig (2) و Cravat (2)، من بين 3 من الأعمال في هذه الصفحة.

ما هي لوحات John Mare التي يمكنني رؤيتها في New York Historical Society؟أظهر الإجابة

تُعد Dr. Benjamin Youngs Prime (1733-1791) و John Keteltas (1739-1766) من بين 2 عمل فني في هذه الصفحة محفوظة لدى New York Historical Society, مدينة نيويورك.

هل يمكنني شراء نسخة مكررة من لوحة لـ John Mare؟أظهر الإجابة

نعم. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً بجودة المتاحف أو كمطبوعة فنية فاخرة، بالمقاس الذي تختاره، وذلك من صفحة اللوحة نفسها.

حول John Mare

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.