John Boultbee, 1753 – 1812

John Boultbee: أشهر 21 لوحات

تُعد A Bay Horse in a Field (1778) اللوحة الأكثر شهرة للفنان John Boultbee، وهي محفوظة في Yale Center for British Art في نيو هيفن. تُعد Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) و'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) من أكثر العملين الفنيين شهرة في العالم. من بين 24 من أعمال John Boultbee في كتالوجنا، إليكم 21 من الأعمال الأكثر مشاهدة من قبل المقتنين وزوار المتاحف، مع ذكر سنة الإنتاج، والمتحف، وقصة كل منها.

تُصنف الأعمال بناءً على مؤشر شعبيتنا، الذي يجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في نوفمبر 2026. يمكن طلب كل لوحة فنية في هذه الصفحة كنسخة زيتية مرسومة يدوياً بجودة المتاحف، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.

بورتريه لـ John Boultbee
John Boultbee · 1753 – 1812
الميلاد · الوفاة
1753 – 1812, Derby
الأعمال المتوفرة في كتالوجنا
24
الأكثر شهرة
A Bay Horse in a Field (1778)
أكبر عدد من الأعمال في
National Trust

أفضل 10 لوحات شهرةً لـ John Boultbee

A Bay Horse in a Field (1778) للفنان John Boultbee
1

A Bay Horse in a Field

1778 · Oil On Canvas · Yale Center for British Art, نيو هيفن

A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held within the Paul Mellon Collection. The subject is a single bay horse situated within a pastoral landscape.

نسخة زيتية مرسومة يدوياً لـ $181 40 × 25 cm بنفس حجم العمل الأصلي $362 104 × 67 cm اطلب بالمقاس الأصلي →
Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) للفنان John Boultbee
2

Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons

1780 · Oil On Canvas

In this 1780 oil portrait, we find Thomas Boothby Parkyns, depicted during his tenure as a cornet in the 15th Regiment of (Light) Dragoons. He sits poised atop a sturdy brown horse, his figure draped in the distinctive red uniform of his regiment. There is a quiet authority in his posture, a sense of a man accustomed to the saddle and the responsibilities of his rank. He holds a sword,…

نسخة زيتية مرسومة يدوياً لـ $181 35 × 28 cm بنفس حجم العمل الأصلي $566 132 × 104 cm اطلب بالمقاس الأصلي →
'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) للفنان John Boultbee
3

'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction

1792 · Oil · Shugborough Hall, ستوك أون ترينت

In "'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction" by John Boultbee, a single cow commands the center of a quiet pastoral landscape. The animal rests horizontally across the middle ground, its body turned toward the left as if pausing mid-stride. The composition focuses entirely on this central figure, using the animal's presence to anchor the surrounding scenery. Organic shapes define the scene, from…

نسخة زيتية مرسومة يدوياً لـ $181 36 × 28 cm بنفس حجم العمل الأصلي $355 93 × 72 cm اطلب بالمقاس الأصلي →
A Grey Arab Stallion in a Desert Landscape (1790) للفنان John Boultbee
4

A Grey Arab Stallion in a Desert Landscape

1790 · Oil On Canvas · Yale Center for British Art, نيو هيفن

A Grey Arab Stallion in a Desert Landscape by John Boultbee presents a single white Arabian stallion moving through a desert terrain. The horse occupies the lower left to center foreground, its form set against a rugged, dark brown rocky outcrop that rises on the left side of the composition. Two slender palm trees provide verticality to the scene, breaking the horizontal expanse of the landscape. The background consists of…

نسخة زيتية مرسومة يدوياً لـ $181 36 × 28 cm بنفس حجم العمل الأصلي $339 90 × 69 cm اطلب بالمقاس الأصلي →
Robert Bakewell (1791) للفنان John Boultbee
5

Robert Bakewell

1791 · Oil On Canvas · المعرض الوطني للصور, لندن

In this oil painting on canvas, John Boultbee presents us with Robert Bakewell. Created about 1791, the work captures a quiet moment of authority within a pastoral setting. The subject is depicted seated atop a majestic brown horse, his presence commanding yet calm. He is dressed in a brown coat and a black hat, looking directly toward the viewer. This steady gaze establishes an immediate connection, inviting a sense of…

نسخة زيتية مرسومة يدوياً لـ $181 36 × 28 cm بنفس حجم العمل الأصلي $347 91 × 71 cm اطلب بالمقاس الأصلي →
Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 (1803) للفنان John Boultbee
6

Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

1803 · Oil · Sherwood Rangers Yeomanry Museum, Nottingham

A man in a red uniform sits atop a white horse in this 1803 oil painting. He holds the reins with one hand, maintaining a steady posture while mounted. The horse is positioned centrally, its white coat contrasting against the darker elements of the composition. To the left, a tree rises from the ground, its branches extending into the frame. Two birds are visible within the scene: one occupies the…

نسخة زيتية مرسومة يدوياً لـ $181 35 × 29 cm بنفس حجم العمل الأصلي $241 59 × 50 cm اطلب بالمقاس الأصلي →
An Oak Tree struck by Lightning in Dunham Park (1808) للفنان John Boultbee
7

An Oak Tree struck by Lightning in Dunham Park

1808 · Oil On Canvas · Dunham Massey Hall

In this work, An Oak Tree struck by Lightning in Dunham Park, John Boultbee captures a moment of profound natural disruption. Painted about 1808, the scene focuses on the aftermath of a violent atmospheric event within the confines of Dunham Park. The central subject is a singular oak tree, its trunk split and shattered by the force of a lightning strike. This sudden fracture creates a stark, pale focal point…

نسخة زيتية مرسومة يدوياً لـ $181 33 × 30 cm بنفس حجم العمل الأصلي $292 76 × 61 cm اطلب بالمقاس الأصلي →
A Bay Hunter Named 'Sir Oliver' (1808) للفنان John Boultbee
8

A Bay Hunter Named 'Sir Oliver'

1808 · Oil On Canvas · National Trust, ألترينشام

A Bay Hunter Named 'Sir Oliver' is an equestrian study by the English painter John Boultbee. Created about 1808, the work belongs to a period when Boultbee was establishing his reputation for capturing the specific anatomy and movement of horses. The piece focuses on a single subject, prioritizing the physical presence of the animal within its natural environment.

نسخة زيتية مرسومة يدوياً لـ $181 34 × 30 cm بنفس حجم العمل الأصلي $536 126 × 101 cm اطلب بالمقاس الأصلي →
An Oak Tree struck by Lightning in Dunham Park (1808) للفنان John Boultbee
9

An Oak Tree struck by Lightning in Dunham Park

1808 · Oil · National Trust, ألترينشام

A singular oak tree dominates the composition, its skeletal branches stripped of foliage by a sudden celestial strike. The wood appears charred and lifeless, a stark silhouette against the surrounding forest. Nearby, the sheer force of the lightning has toppled other trees, leaving them sprawled across a floor of dirt and grass. This scene captures a moment of profound disruption within the quietude of Dunham Park.

نسخة زيتية مرسومة يدوياً لـ $181 35 × 29 cm بنفس حجم العمل الأصلي $292 76 × 61 cm اطلب بالمقاس الأصلي →

بقية ترتيب John Boultbee، من 11 إلى 21

لوحات John Boultbee حسب الفترة الزمنية

المواضيع التي رسمها John Boultbee أكثر من غيره

المواضيع الأربعة الأكثر تكراراً بين هذه التحف الفنية، مع أجمل مثال لكل منها.

أين يمكنك مشاهدة لوحات John Boultbee

المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

المتاحف المدينة أعمال John Boultbee لوحات من هذه القائمة
National Trust, ميلفوردNational Trust ميلفورد 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
Yale Center for British Art, نيو هيفنYale Center for British Art نيو هيفن 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
Shugborough Hall, ستوك أون ترينتShugborough Hall ستوك أون ترينت 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
National Trust, ألترينشامNational Trust ألترينشام 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
National Trust, ستوكبورتNational Trust ستوكبورت 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
المعرض الوطني للصور, لندنالمعرض الوطني للصور لندن 1 Robert Bakewell
Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794
Dunham Massey HallDunham Massey Hall 1 An Oak Tree struck by Lightning in Dunham Park

John Boultbee عبر العقود: لوحة خالدة لكل عقد

  1. 1770s
    A Bay Horse in a Field (1778) للفنان John Boultbee
    الرقم 1 من أصل 21

    A Bay Horse in a Field

    العمر 17 – 26 · Yale Center for British Art

    A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held…

  2. 1780s
  3. 1790s
  4. 1800s

لوحات John Boultbee: الأسئلة الشائعة

ما هي أشهر لوحة لـ John Boultbee؟أظهر الإجابة

A Bay Horse in a Field (1778)، Yale Center for British Art, نيو هيفن. يليهما Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) و'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792).

في أي عمر رسم John Boultbee لوحة A Bay Horse in a Field؟أظهر الإجابة

عمر 25 عاماً: يعود تاريخ A Bay Horse in a Field إلى عام 1778، وقد وُلد John Boultbee في 1753.

ما هي أشهر 10 لوحات لـ John Boultbee؟أظهر الإجابة

A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park و 'Garrick' A Bullock. يوضح التصنيف أعلاه سنة الإنتاج والمتحف الخاص بكل منها.

كم عدد اللوحات لـ John Boultbee؟أظهر الإجابة

تضم قائمتنا 24 من أعمال John Boultbee، التي يعود تاريخها من 1778 إلى 1808.

أين يمكنني مشاهدة أشهر لوحات John Boultbee؟أظهر الإجابة

معظمها موجود في National Trust (ميلفورد), Yale Center for British Art (نيو هيفن) و Shugborough Hall (ستوك أون ترينت). وتدرج القائمة أعلاه المتاحف واحداً تلو الآخر.

في أي فترة زمنية رسم John Boultbee أشهر أعماله؟أظهر الإجابة

في 1800s: 4 من أصل 21 من الأعمال في هذه الصفحة تعود إلى ذلك التاريخ، من بينها Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794.

ما هي أقدم لوحة مشهورة لـ John Boultbee، وأحدثها؟أظهر الإجابة

أقدم لوحة في هذه الصفحة هي من عام A Bay Horse in a Field (1778)، وأحدثها من عام An Oak Tree struck by Lightning in Dunham Park (1808).

ما هي المواضيع التي رسمها John Boultbee؟أظهر الإجابة

Horse (4), Grass (4) و Sky (3)، من بين 21 من الأعمال في هذه الصفحة.

ما هي المواد التي استخدمها John Boultbee في الرسم، وبأي أدوات؟أظهر الإجابة

Oil On Canvas: 6 من أصل 21 من الأعمال في هذه الصفحة.

ما هي لوحات John Boultbee التي يقتنيها National Trust؟أظهر الإجابة

تُعد 'Garrick' A Bullock, 'Garrick's Sister' A Cow و 'Broken Horned Beauty' A Cow من بين 4 عمل فني في هذه الصفحة محفوظة لدى National Trust, ميلفورد.

أين يمكنني شراء نسخة من أعمال John Boultbee؟أظهر الإجابة

نعم. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً بجودة المتاحف أو كمطبوعة فنية فاخرة، بالمقاس الذي تختاره، وذلك من صفحة اللوحة نفسها.

John Boultbee: السيرة الذاتية

John Boultbee: A Painter of Horses and British Life

John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

A Royal Patronage and Sporting Subjects

Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

Technique and Style

Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

Legacy and Significance

Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.