Adèle Romany, 1769 – 1846

أشهر 37 لوحات للفنان Adèle Romany

اللوحة التي جعلت Adèle Romany مشهوراً هي Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)؛ وهي معروضة في National Museum of Women in the Arts، واشنطن دي سي. ويأتي كل من Madame Coury, Duhamel Widow (1811) و Portrait of a Young Woman (1804) في المرتبة التالية في قلوب المقتنين وزوار المتاحف. من بين 39 من أعمال Adèle Romany في كتالوجنا، تُعد هذه 37 الأعمال هي الأكثر إعجاباً، حيث نُقدم كل واحدة منها مع تاريخها، والمتحف الذي تضمّه، وما يميزها.

تُصنف الأعمال بناءً على درجة شعبيتنا، التي تجمع بين عمليات البحث والزيارات والطلبات لكل عمل فني. تم التحديث في أكتوبر 2026. يمكن طلب كل لوحة فنية في هذه الصفحة كنسخة زيتية مرسومة يدوياً بجودة المتاحف، أو كمطبوعة فنية فاخرة، وذلك بالمقاس الذي تختارونه.

بورتريه لـ Adèle Romany
Adèle Romany · 1769 – 1846
تاريخ الميلاد · تاريخ الوفاة
1769 – 1846, Paris
حركة
Neoclassicism
الأعمال الموجودة في كتالوجنا
39
الأكثر شهرة
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
أكبر عدد من الأعمال في
Library-museum of the Comédie-Française

Adèle Romany: الروائع العشر

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) للفنان Adèle Romany
1

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, واشنطن دي سي

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

نسخة زيتية مرسومة يدوياً من $181 27 × 36 cm بنفس حجم العمل الأصلي $525 97 × 128 cm اطلب بالحجم الأصلي →
Madame Coury, Duhamel Widow (1811) للفنان Adèle Romany
2

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · المتحف الوطني, ستوكهولم

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

نسخة زيتية مرسومة يدوياً من $181 28 × 36 cm بنفس حجم العمل الأصلي $470 90 × 117 cm اطلب بالحجم الأصلي →
Portrait of a Young Woman (1804) للفنان Adèle Romany
3

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, باريس

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

نسخة زيتية مرسومة يدوياً من $181 29 × 35 cm بنفس حجم العمل الأصلي $245 51 × 61 cm اطلب بالحجم الأصلي →
Portrait of Julie Candeille (1791) للفنان Adèle Romany
4

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

نسخة زيتية مرسومة يدوياً من $181 29 × 34 cm
Portrait of a Young Harpist (1795) للفنان Adèle Romany
5

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, ليل

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

نسخة زيتية مرسومة يدوياً من $181 28 × 35 cm بنفس حجم العمل الأصلي $354 73 × 92 cm اطلب بالحجم الأصلي →
Portrait of a woman (1795) للفنان Adèle Romany
6

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, باريس

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

نسخة زيتية مرسومة يدوياً من $181 29 × 35 cm بنفس حجم العمل الأصلي $294 62 × 76 cm اطلب بالحجم الأصلي →
Portrait of Amélie-Justine Pontois (1795) للفنان Adèle Romany
7

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

نسخة زيتية مرسومة يدوياً من $181 28 × 36 cm بنفس حجم العمل الأصلي $243 49 × 61 cm اطلب بالحجم الأصلي →
Charles-Antoine d'Artenay (1792) للفنان Adèle Romany
8

Charles-Antoine d'Artenay

1792 · Oil On Canvas · قصر فرساي, فرساي

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

نسخة زيتية مرسومة يدوياً من $181 29 × 35 cm بنفس حجم العمل الأصلي $256 53 × 65 cm اطلب بالحجم الأصلي →
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) للفنان Adèle Romany
9

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

نسخة زيتية مرسومة يدوياً من $206 28 × 35 cm بنفس حجم العمل الأصلي $380 73 × 92 cm اطلب بالحجم الأصلي →
A young person hesitating to play the piano in front of her family (1804) للفنان Adèle Romany
10

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

نسخة زيتية مرسومة يدوياً من $281 36 × 28 cm بنفس حجم العمل الأصلي $749 146 × 113 cm اطلب بالحجم الأصلي →

المزيد من روائع Adèle Romany، من 11 إلى 37

لوحات Adèle Romany حسب الفترة الزمنية

المواضيع التي رسمها Adèle Romany أكثر من غيره

المواضيع الأربعة الأكثر تكراراً بين هذه التحف الفنية، مع أجمل مثال لكل منها.

أين يمكنك مشاهدة لوحات Adèle Romany

المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

المتحف المدينة أعمال Adèle Romany لوحات من هذه القائمة
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
قصر فرساي, فرسايقصر فرساي فرساي 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
متحف الفنون الجميلة, بوسطنمتحف الفنون الجميلة بوسطن 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, واشنطن دي سيNational Museum of Women in the Arts واشنطن دي سي 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
المتحف الوطني, ستوكهولمالمتحف الوطني ستوكهولم 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, باريسMusée Marmottan Monet باريس 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, ليلPalais des Beaux-Arts de Lille ليل 1 Portrait of a Young Harpist
Musée Jacquemart-André, باريسMusée Jacquemart-André باريس 1 Portrait of a woman

Adèle Romany، عقداً بعد عقد: اللوحة الأبرز في كل عقد

  1. 1790s
  2. 1800s
    Portrait of a Young Woman (1804) للفنان Adèle Romany
    المركز 3 من 37

    Portrait of a Young Woman

    العمر 31 – 40 · Musée Marmottan Monet

    The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

  3. 1810s
    Madame Coury, Duhamel Widow (1811) للفنان Adèle Romany
    المركز 2 من 37

    Madame Coury, Duhamel Widow

    العمر 41 – 50 · المتحف الوطني

    In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

  4. 1830s
    Portrait de Zoé Prévost, de l'Opéra-Comique (1830) للفنان Adèle Romany
    المركز 32 من 37

    Portrait de Zoé Prévost, de l'Opéra-Comique

    العمر 61 – 70 · Musée Magnin

    The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

روائع Adèle Romany: أسئلة وأجوبة

ما هي اللوحة التي اشتهر بها Adèle Romany؟أظهر الإجابة

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)، National Museum of Women in the Arts, واشنطن دي سي. يليهما Madame Coury, Duhamel Widow (1811) وPortrait of a Young Woman (1804).

كم كان عمر Adèle Romany عندما رسم Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou؟أظهر الإجابة

عمر 26 عاماً: يعود تاريخ Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou إلى عام 1795، وقد وُلد Adèle Romany في 1769.

ما هي أعظم عشر لوحات لـ Adèle Romany؟أظهر الإجابة

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois و A young person hesitating to play the piano in front of her family. يوضح التصنيف أعلاه سنة الإنتاج والمتحف الخاص بكل منها.

كم عدد الأعمال التي رسمها Adèle Romany؟أظهر الإجابة

تضم قائمتنا 39 من أعمال Adèle Romany، التي يعود تاريخها من 1791 إلى 1836.

في أي متاحف يمكنني مشاهدة روائع Adèle Romany؟أظهر الإجابة

معظمها موجود في Library-museum of the Comédie-Française (Paris), قصر فرساي (فرساي) و متحف الفنون الجميلة (بوسطن). وتدرج القائمة أعلاه المتاحف واحداً تلو الآخر.

متى رسم Adèle Romany هذه اللوحات الخالدة؟أظهر الإجابة

في 1800s: 13 من أصل 37 من الأعمال في هذه الصفحة تعود إلى ذلك التاريخ، من بينها Portrait of a Young Woman.

ما هي أول وآخر لوحات Adèle Romany الشهيرة؟أظهر الإجابة

أقدم لوحة في هذه الصفحة هي من عام Portrait of Julie Candeille (1791)، وأحدثها من عام Portrait of Voltaire (1836).

ما هي موضوعات Adèle Romany المفضلة؟أظهر الإجابة

Woman (24), Man (14) و White dress (6)، من بين 37 من الأعمال في هذه الصفحة.

ما هي التقنية التي كان يفضلها Adèle Romany؟أظهر الإجابة

Oil On Canvas: 29 من أصل 37 من الأعمال في هذه الصفحة.

إلى أي حركة فنية ينتمي Adèle Romany؟أظهر الإجابة

Neoclassicism، كما تظهر اللوحات في هذه الصفحة.

ما هي الروائع التي رسمها Adèle Romany وتُعرض في Library-museum of the Comédie-Française؟أظهر الإجابة

تُعد Portrait of Emilie Leverd, Mlle Raucourt as Agrippine و Portrait of Fleury من بين 5 عمل فني في هذه الصفحة محفوظة لدى Library-museum of the Comédie-Française, Paris.

هل يمكنني اقتناء نسخة من إحدى روائع Adèle Romany؟أظهر الإجابة

نعم. يمكن طلب كل لوحة في هذه الصفحة كنسخة زيتية مرسومة يدوياً بجودة المتاحف أو كمطبوعة فنية فاخرة، بالمقاس الذي تختاره، وذلك من صفحة اللوحة نفسها.

حياة Adèle Romany

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.