ورق

دليل الأعمال الفنية للطلاب

Portrait 3

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

الاسم الفصل الدراسي التاريخ
graham coughtry, Portrait 3 (1958). أُعيد إنتاجه لأغراض مرجعية؛ جميع الحقوق محفوظة لصاحب الحقوق.

الحقائق الأساسية

الفنان
graham coughtry wahooart.com/ar/artists/graham-coughtry/
تواريخ الفنان
1931 – 1999
مطلية
1958
الحجم الأصلي
102 x 92 cm

In context

Portrait 3 — graham coughtry

How big is it?

The original measures 102 × 92 cm (height × width), drawn here beside an adult of average height.

متى رُسمت هذه اللوحة؟

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

مظلل: مسيرة حياة graham coughtry (1931–1999) ▲ هذا العمل، 1958

مقارنة مع

اختر عملاً واحداً مما سبق: اذكر شيئين يتشابه فيه مع هذا العمل، وشيئاً واحداً يختلف عنه.

أعمال أخرى تتماشى مع هذا العمل: wahooart.com/ar/art/similar/graham-coughtry-portrait-3-ARA92N-en/

الألوان

مُقاسة من الصورة

    اللون الأساسي

    Walnut #5d3318

    لوحة ألوان مفهرسة

    • #5D3318
    • #412D24
    • #392214
    • #251A12
    لوحة الألوان
    Monochrome مجموعة الألوان السائدة في الصورة.
    اسم اللون الأساسي
    Walnut
    الحدة
    Monochromatic مدى تشبع الألوان وتنوعها، بدءاً من لون واحد خافت وصولاً إلى ألوان متعددة زاهية.
    التباين
    Serene مدى تفاوت الألوان في درجة السطوع والتشبع عبر اللوحة.
    تناغم
    Unified Palette مدى تناغم الألوان مع بعضها البعض، بدءاً من التضاد وصولاً إلى الوحدة الكاملة.
    السطوع
    Deep_shadow مدى سطوع أو عتامة الصورة بشكل عام، بدءاً من الظلال العميقة وصولاً إلى الإضاءة الساطعة.
    التشبع
    Subtle Color مدى نقاء وقوة الألوان، من الرمادي الباهت إلى الألوان الزاهية تماماً.

    الفنان والمتحف

    Portrait 3 — graham coughtry

    الفنان

    graham coughtry

    Graham Coughtry: A Toronto Visionary

    Graham Coughtry (1931 – 1999) was a British-born Canadian painter who established himself as a prominent figure in Toronto’s artistic landscape during the mid-century period. His distinctive style—characterized by textured impasto, muted color palettes, and semi-abstract representations of human figures—earned him recognition both nationally and internationally. Though relatively unknown outside of Canada, Coughtry's work holds considerable importance within Canadian Modernism and continues to inspire artists today.

    Early Life & Artistic Beginnings

    Born in London, England, Coughtry’s artistic inclinations emerged early in his life. He pursued formal training at Chelsea School of Art and later studied at Pratt Institute in New York City, absorbing influences from Surrealist painters like René Magritte and Yves Tanguy. These formative experiences instilled a fascination with exploring psychological states and conveying emotion through visual imagery—a core element that would permeate his subsequent artistic endeavors.

    The Toronto Years & Pierre Bonnard Influence

    Coughtry relocated to Toronto in 1960, where he quickly gained traction within the burgeoning Canadian art scene. He became particularly captivated by the work of Pierre Bonnard, whose subtle tonal harmonies and atmospheric landscapes profoundly impacted Coughtry’s artistic approach.

    للمزيد من القراءة

    تصفح هذا عبر الإنترنت

    رمز QR يربط بصفحة التنزيل الخاصة بـ Portrait 3

    wahooart.com/ar/art/download/graham-coughtry-portrait-3-ARA92N-en/

    اقتبس هذا العمل الفني

    MLA
    coughtry, graham. Portrait 3. 1958, https://wahooart.com/ar/art/graham-coughtry-portrait-3-ARA92N-en/
    APA
    coughtry, graham (1958). Portrait 3 [Painting]. https://wahooart.com/ar/art/graham-coughtry-portrait-3-ARA92N-en/
    Chicago
    graham coughtry. Portrait 3. 1958. https://wahooart.com/ar/art/graham-coughtry-portrait-3-ARA92N-en/
    Harvard
    coughtry, graham (1958) Portrait 3. Available at: https://wahooart.com/ar/art/graham-coughtry-portrait-3-ARA92N-en/

    Look closely

    Portrait 3 — graham coughtry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Late Afternoon Interior (1957), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. graham coughtry was about 27 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.