|
Early Life and Self-Taught Artistry
Charles-Victor Guilloux, a French symbolist artist, was born in Paris in 1866 and passed away in Lormes, Nièvre, in 1946. As an employee of the Bibliothèque Nationale in Paris, Guilloux's artistic journey was marked by self-taught endeavors, earning him a place alongside notable critics like Albert Aurier, Félix Fénéon, and Rémy de Gourmont, who drew parallels with the Symbolist movement.
Artistic Evolution and Notable Exhibitions
From 1891, Guilloux's works were met with success at the Société des artistes indépendants exhibitions, followed by the "Impressionists and Symbolists" exhibitions at the Le Barc de Boutteville gallery. This period saw a shift in his painting titles, which became more elliptical, sometimes tinged with musical connotations, such as Scherzo Moon (1894), location unknown.
Notable Works and Their Significance
These works, characterized by the structuring of space and distribution of forms and colors, were commented on by André Mellerio in his idealist movement in painting (1896).
Exhibition History and Legacy
Guilloux exhibited at the Salon de la Société nationale des Beaux-Arts in 1905 and at the Salon des Indépendants between 1911 and 1914. In 2007, the Musée d'Orsay acquired his painting Crépuscule.
- View more of Charles Guilloux's works on WahooArt.com
- Explore the Musée d'Orsay's collection, featuring Guilloux's Crépuscule, on WahooArt.com
- Discover more about the Symbolist movement and its notable artists on Wikipedia
Unravel the mysteries of Charles Guilloux's symbolist art by delving into his enigmatic world, where each brushstroke tells a story. |
Loading Charles Guilloux biography....
| |