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          Self Portrait (17) (1654) by Rembrandt van Rijn, hand-painted oil painting reproduction by a master artist
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          Rembrandt van Rijn

          Self Portrait (17) Hand-painted oil painting reproduction

          Dimensions
          72.0 x 58.0 cm

          Explore Rembrandt’s ‘Self Portrait (17)’ – a captivating 1654 oil painting showcasing his masterful use of light & shadow. Admire this Dutch Golden Age masterpiece at the Staatliche Kunstsammlungen.
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          A master of chiaroscuro known for The Night Watch. Explore his legendary Dutch Golden Age paintings and etchings today.
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          Hand Made Oil Reproduction

          Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

          Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
          P118B $10
          Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
          P118H $10
          Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
          P118W $10
          Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
          P438Z $10
          Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
          P508JH $12
          Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
          P508YH $12
          Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
          P805H $10
          Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
          P805Z $10
          Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
          P919BZ $10
          Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
          P919G $10
          Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
          P919XJ $10
          Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
          P959ZH $10
          Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
          P968JZ $12
          Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
          W106C $8
          Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
          W218G $10
          Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
          W218JH $8
          Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
          W218Y $10
          Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
          W307PJ $10
          Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
          W316G $10
          Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
          W316PJ $8
          Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
          W316Y $10
          Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
          W398PJ $8
          Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
          W4111J $10
          Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
          W500HY $15
          Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
          W500JH $15
          Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
          W692G $12
          Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
          W849H $8
          Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
          W940BG $15
          Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
          W953PJ $8

          Standard
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          Pick from our preset sizes that match the artwork's original proportions.

          width
          height

          Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

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          Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
          After order, WahooArt.com team will email client for instructions and provide a mockup preview
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          Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (2 November). No compromise on quality.

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          Total Price

          $ 272

          Self Portrait (17)

          Reproduction Medium

          Reproduction Size

          -

          Total Price

          $ 272

          Quick Facts

          • year: 1654
          • artist: Rembrandt van Rijn
          • movement: Dutch Golden Age
          • dimensions: 72 x 58 cm
          • location: Staatliche Kunstsammlunen Kassel
          • influences: Italian Old Masters, Dutch and Flemish artists who studied in Italy.

          Art Quiz

          There is only one correct answer for each question.

          Question 1:
          In what year was Rembrandt's 'Self Portrait (17)' painted?
          Question 2:
          Where is 'Self Portrait (17)' currently housed?
          Question 3:
          What artistic movement is Rembrandt van Rijn most closely associated with?
          Question 4:
          A key characteristic of this self-portrait, and much of Rembrandt's work, is his masterful use of what technique?
          Question 5:
          What medium did Rembrandt primarily use for 'Self Portrait (17)'?

          Rembrandt’s Introspective Gaze: A Masterclass in Self-Reflection

          This 1654 self-portrait by Rembrandt van Rijn is far more than a depiction of physical likeness; it's a profound exploration of the human condition, rendered with the masterful technique that defines his legacy. Painted during a pivotal period in the artist’s life – marked by both professional success and personal hardship – this work offers a uniquely intimate glimpse into the soul of one of history’s greatest painters.

          A Portrait of an Era: Style & Technique

          Executed in oil on canvas, measuring 72 x 58 cm, the painting exemplifies Rembrandt's signature Baroque style. Chiaroscuro, the dramatic interplay of light and shadow, is employed to stunning effect, sculpting the artist’s face and drawing the viewer into a deeply personal space. Note how the light doesn’t simply illuminate; it *models* form, revealing texture in his beard, the folds of his clothing, and the subtle lines etched by time and experience. Rembrandt's brushwork is loose yet deliberate, creating a sense of immediacy and vitality. The layering of paint – known as impasto – adds a tactile quality, inviting close inspection. This isn’t merely representation; it’s an embodiment of presence.

          Decoding the Image: Subject & Symbolism

          Rembrandt presents himself dressed in respectable attire—a dark hat, white collar, and suit—suggesting his established status as a prominent artist. However, this outward presentation belies an inner world of contemplation. His gaze is averted, lost in thought, inviting us to ponder alongside him. The subtle details – the slightly furrowed brow, the gentle curve of his lips – hint at a complex emotional landscape. Self-portraits were a common practice for Rembrandt, serving not as vanity projects but as opportunities for self-study and artistic experimentation. They are visual diaries, charting his evolving understanding of himself and the world around him.

          Historical Context: The Dutch Golden Age

          The 17th century Netherlands was experiencing a “Golden Age” – a period of unprecedented economic prosperity, scientific advancement, and artistic flourishing. Rembrandt thrived within this environment, becoming one of its most celebrated figures. However, his later life was marked by financial difficulties and personal tragedy, including the death of his wife Saskia and several children. This self-portrait reflects that complexity; it’s a testament to resilience in the face of adversity, a quiet dignity born from lived experience.

          Emotional Resonance & Lasting Impact

          What makes this painting so compelling is its universality. It transcends time and culture, speaking to our shared human experiences of introspection, vulnerability, and the search for meaning. The portrait doesn’t offer easy answers; instead, it invites us to confront our own inner worlds. It's a work that rewards repeated viewing, revealing new layers of nuance with each encounter.

          Collecting & Interior Design

          A reproduction of this self-portrait would serve as a powerful focal point in any space. Its rich color palette and dramatic lighting complement both traditional and contemporary interiors. Consider placing it in a study or library to encourage contemplation, or in a living room to spark conversation. The painting’s inherent gravitas adds sophistication and depth to any collection.
          • Style: Baroque, Dutch Golden Age
          • Medium: Oil on Canvas
          • Dimensions: 72 x 58 cm
          • Location: Staatliche Kunstsammlunen Kassel, Germany

          Questions & Answers

          Where is the portrait format of "Self Portrait (17)" recommended to be displayed?

          Format (portrait) and recommended space (living room) are the two placement facts recorded for "Self Portrait (17)" by Rembrandt van Rijn.

          What is the dominant color of "Self Portrait (17)" by Rembrandt van Rijn?

          The color that stands out most in "Self Portrait (17)" is espresso (#3e3131). The dominant color is useful when matching an artwork to an interior.

          Do the colors of "Self Portrait (17)" appear strong or soft?

          "Self Portrait (17)" by Rembrandt van Rijn shows a monochromatic color intensity.

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          Artist Biography

          The Light of Leiden

          In the quiet streets of Leiden, Netherlands, a boy named Rembrandt Harmenszoon van Rijn grew up in a house filled with the scent of flour and grain. His father, Harmen, ran a mill, while his mother, Neeltgen, came from a family of bakers. This middle-class stability provided enough for a seat at the Leiden Latin School, where he spent seven years studying classical texts. He later sat in classrooms at the University of Leiden, though his eyes often drifted toward the brush and the plate.

          His hands learned their trade through apprenticeships. First, there was Jacob van Swanenburg in Leiden, followed by a short, intense period under Pieter Lastman in Amsterdam. It was from Lastman that he learned to use shadow to create weight. He returned to Leiden to share a studio with Jan Lievens, working alongside a peer who understood the same pull of the dark and the light. By 1631, the pull of Amsterdam, a city of growing trade and heavy commerce, led him to relocate permanently.

          Shadow and Substance

          The way he applied paint changed as the years passed. In his early years, there was a focus on fine detail and clear lines, much like the style of his teachers. As he matured, the brushwork grew thicker and more textured. He began to use chiaroscuro, not merely as a trick of lighting, but as a way to sculpt faces out of the darkness. He used thick, textured paint to catch the light on a forehead or a cheek, while thin, transparent layers allowed the shadows to recede into deep, velvety blacks.

          His subjects were as varied as the people he encountered in the Dutch Republic. He painted:

          • Group portraits of civic militias, such as the 1642 work known as The Night Watch.
          • Intimate self-portraits that tracked the physical changes in his own face over decades.
          • Biblical scenes that used dramatic lighting to highlight human emotion.
          • Etchings where he mastered the use of line and tone to create depth on paper.

          A Life of Change

          Personal shifts often dictated the mood of his canvases. His marriage to Saskia van Uylenburgh in 1634 brought a period of social connection and initial stability, yet it was also marked by the loss of several children. The death of Saskia in 1642 left a visible mark on his later work, which turned toward more somber, introspective themes. He lived through financial highs and the heavy reality of bankruptcy in 1656, a period that forced him to move from fashionable houses to more modest lodgings.

          Despite the loss of wealth, his output remained steady. He continued to find models among the people of Amsterdam, including his son Titus and later Hendrickje Stoffels. His ability to capture the weight of an expression or the texture of a weathered hand ensured that his work remained a central part of the Dutch Golden Age. He died in 1669, leaving behind hundreds of paintings, etchings, and drawings that remain fixed in their study of the human condition.

          Rembrandt van Rijn

          Rembrandt van Rijn

          1606 - 1669 , Netherlands

          Quick Facts

          • Artistic Movement Or Style: Dutch Golden Age, Baroque
          • Artists Or Movements Influenced By This Artist: Generations of artists
          • Artists Who Influenced This Artist:
            • Pieter Lastman
            • Jacob van Swanenburg
          • Full Name: Rembrandt Harmenszoon van Rijn
          • Nationality: Dutch
          • Notable Artworks:
            • The Night Watch
            • Anatomy Lesson of Dr. Nicolaes Tulp
            • Belshazzar's Feast
          • Place Of Birth: Leiden, Netherlands
          • Date Of Birth: 1606
          • Date Of Death: 1669

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