Buy Museum Art Reproductions Picking Flowers, 1912 by Helen Galloway Mcnicoll (1879-1915, Canada) | WahooArt.com

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"Picking Flowers"

Helen Galloway Mcnicoll (i) - Oil On Canvas (i) - 1912 - (Art Gallery of Ontario (Canada)) (i)

A Brief Introduction to the Artist

Helen Galloway McNicoll, a Canadian impressionist painter, left an indelible mark on the art world with her vibrant and intimate depictions of rural landscapes, children, and modern female figures. Born on December 14, 1879, McNicoll's career spanned over a decade, during which she achieved considerable success and recognition.

The Painting: "Picking Flowers"

One of McNicoll's notable works is the oil-on-canvas painting titled Picking Flowers, created in 1912. This beautiful piece is housed at the Art Gallery of Ontario (Canada). The painting captures a serene moment where two young girls are engaged in picking flowers, surrounded by lush greenery and potted plants. The scene exudes innocence and joy, reflecting the carefree nature of childhood.

Key Elements and Symbolism

- **Innocence and Joy**: The two girls in the painting embody the essence of childhood innocence and happiness. - **Nature's Beauty**: The lush greenery and flowers symbolize the beauty and tranquility of nature. - **Companionship**: The interaction between the girls highlights the importance of companionship and shared experiences.

McNicoll's Artistic Contributions

McNicoll played a significant role in popularizing Impressionism in Canada. Her works, including Picking Flowers, showcase her ability to capture modern life with a sense of vibrancy and intimacy. She was elected to the Royal Society of British Artists in 1913 and became an Associate of the Royal Canadian Academy of Arts in 1914.

Other Notable Works by McNicoll

- The Little Worker - Interior - Landscape with Cows These paintings, like "Picking Flowers," demonstrate McNicoll's versatility and skill in capturing various aspects of life.

Conclusion

"Catching Flowers" by Helen Galloway McNicoll is a captivating piece that reflects the artist's ability to capture the essence of childhood innocence and the beauty of nature. Her contributions to Canadian Impressionism are significant, making her one of the most notable women artists of her time. For those interested in exploring more of McNicoll's works or learning about other artists, visit Helen Galloway Mcnicoll: Picking Flowers and Helen McNicoll on Wikipedia.

 



Helen Galloway McNicoll was a Canadian impressionist painter.
McNicoll was born in Toronto to an affluent family. Her parents were David McNicoll and Emily Pashley. McNicoll became deaf in early childhood due to scarlet fever, and as a result, focused her energies on playing the piano and developing a keenly observant eye. As a young woman, she attended the Art Association of Montreal, beginning her studies under William Brymner in 1899. In 1902, she moved to England to study in London at the Slade School under Philip Wilson Steer. At the Slade, students were encouraged to paint en plein air. Later, McNicoll studied in St Ives, Cornwall with Algernon Talmadge, where she met Dorothea Sharp, a fellow artist who became a lifelong friend. McNicoll and Sharp traveled together to France and Italy sharing studio space, and posing for each other's paintings.
A member of the Royal Society of British Artists and an associate of the Royal Canadian Academy of Arts, McNicoll died in Swanage, Dorset, at the early age of thirty six. An obituary described her as "one of the most profoundly original and technically accomplished of Canadian artists."
The Art Gallery of Ontario hosted an exhibition of McNicoll's work in 1999. Although she had relocated to England, during her lifetime McNicoll kept close ties to Canada, and her work was exhibited at the Royal Canadian Academy of Arts from 1906 to 1914. Her work was also exhibited at the Ontario Society of Artists from 1910 until 1915 and at the AAM in 1906; 1908 to 1912; 1914–1915; 1922, and 1925. After her election as a member of the Royal Society of British Artists, her work was exhibited from 1913–1915. The Art Association of Montreal held a memorial show featuring 141 of her paintings in 1925.

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