Get Art Reproductions St Columba Altarpiece (detail), 1455 by Rogier Van Der Weyden (1400-1464, Belgium)

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"St Columba Altarpiece (detail)"

Rogier Van Der Weyden (i) - Oil On Panel (i) - 1455 - (Alte Pinakothek (Munich, Germany)) (i)

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Life and Career

Rogier Van Der Weyden, also known as Roger de la Pasture, was a prominent early Netherlandish painter active in the 15th century. Born in Belgium around 1400, he became one of the most influential artists of his time, with his works gaining significant acclaim in the Netherlands, Italy, and Spain.

Artistic Style and Technique

Van Der Weyden's artistic style was characterized by rich coloration, sympathetic expression, and a unique approach to pathos and naturalism. His figures often appeared statuesque, particularly in his triptychs, which featured intricate details and idealized facial features. He employed a diverse color palette, ensuring that no single tone was repeated, adding depth and complexity to his compositions.

Notable Works

* St Luke Drawing a Portrait of the Madonna (Museum of Fine Arts, Boston): This painting showcases Van Der Weyden's mastery of oil on panel, featuring a stunning depiction of St. Luke. * Lamentation (Musée des Beaux-Arts Tournai, Belgium): This small but powerful painting demonstrates Van Der Weyden's ability to convey emotional intensity through chiaroscuro.

Museums and Collections

* Musée des Beaux-Arts Tournai, Belgium: Features an impressive collection of Van Der Weyden's works, including Portrait Diptych of Jean de Gros. * Musées Royaux des Beaux-Arts (Brussels, Belgium): Houses a significant collection of Early Netherlandish paintings, including works by Van Der Weyden and other notable artists.

Legacy

Van Der Weyden's influence on the Northern Renaissance is undeniable. He stood alongside Robert Campin and Jan van Eyck as one of the three great Early Flemish artists, renowned for his innovative style and technique. Despite his fame dwindling in the 17th century, Van Der Weyden's work was rediscovered in the 19th century, and he now stands as a prominent figure in the history of Early Netherlandish painting.