Paintings Reproductions Whaam!, 1963 by Roy Lichtenstein (Inspired By) (1923-1997, United States) | WahooArt.com

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"Whaam!"

Roy Lichtenstein (i) - Oil On Canvas (i) - 172 x 421 cm - 1963 - Pop Art (i), Roy Lichtenstein (i) - Oil On Canvas (i) - 172 x 421 cm - 1963 - Pop Art (i), Roy Lichtenstein (i) - Oil On Canvas (i) - 172 x 421 cm - 1963 - Pop Art (i)

Introduction

Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. It has been on permanent display at Tate Modern since 2006.

Description

The left-hand panel shows a fighter plane firing a rocket that, in the right-hand panel, hits a second plane which explodes in flames. Lichtenstein adapted the image from several comic-book panels, with the primary source being a panel illustrated by Irv Novick from a 1962 war comic book. Lichtenstein transformed the source by presenting it as a diptych while altering the relationship of the graphical and narrative elements. Whaam! is regarded for the temporal, spatial and psychological integration of its two panels. The painting's title is integral to the action and impact of the painting, and displayed in large onomatopoeia in the right panel.

Artistic Context

Lichtenstein studied as an artist before and after serving in the United States Army during World War II. He practiced anti-aircraft drills during basic training, and he was sent for pilot training but the program was canceled before it started. Among the topics he tackled after the war were romance and war. He depicted aerial combat in several works. Whaam! is part of a series on war that he worked on between 1962 and 1964, and along with As I Opened Fire (1964) is one of his two large war-themed paintings.

Conservation

According to the artist, the diptych took one month to produce from start to finish. To make the final painting, Lichtenstein projected the preparatory study onto the two pre-primed canvases and drew around the projection in pencil before applying the Ben-Day dots. This involved using a homemade aluminium mesh and pushing oil paint through the holes with a small scrubbing brush. Onto this he painted the thick outlines of shapes and areas of solid colour in Magna acrylic resin paint. This use of different materials has made cleaning the painting a particular challenge for conservators (see Conserving Whaam! on the Tate website).

Further Reading

For more information about Roy Lichtenstein and his work, please visit our dedicated page: Roy Lichtenstein. To learn more about pop art, you can consult our article on the topic: Top 5 Famous Pop Art Artists of All Time.

Bibliography

Image Credits






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